Esaja’s work was on the bodily side of the arts, where distorted, organic figures create an intense negotiation between body and form. His depictions of people draw us into a dynamic space between the solid and the broken, where the body is not static, but in constant change.

Sophie's oil paintings create a visual journey into the space that exists at the microscopic level – between particles, between people, between what we can see and what we cannot understand. Her works speak to the nature of duality, where every distance holds a field of possibility.

Stine's work focuses on the hands as a recurring motif that creates a connection between the inside and the outside. Through the contrasts of black and white, she explores negative and positive space with a formative psychology approach, where the hands are both visible and invisible, depending on how the space is read.

Lukas' paintings focused on the temporal gap – that exist between past and future, between stability and uncertainty. In the quiet, yet stormy. The space between these states, a sense of unrest and uncertainty arises that reflects our times.

Tue Frank's fine-lines capture the chaotic space that exists just before sleep takes us. It is here that thoughts merge in the space of darkness, where we are in the midst of a process of transformation, an endless clearing of the subconscious. In this transition between consciousness and dream state, we enter a space where time and tranquility meet in a new form.

Helle reveals spaces in her watercolors, where faces and blurred shapes open up to the human interior. Her works create a transparency where the physical and the psychological are inextricably linked, and where the boundaries between the outer and inner the concrete and abstract dissolve.